26 Oct 2011

Method Writing

I turned 40 today and if I have one regret it is this - I didn’t turn 50.  Menopause aside, I’m craving the solitude my senior years will bring.  At 50, I’ll be getting my life back and days like these filled as they are with lone parenting, blocked toilets, and doomed shags, will be a thing of the past.

For now though I’m stuck in the present — a mother struggling to make ends meet on a single, shrinking income.  Hence, I’ve started selling sex.  Not in the physical sense you understand.  Frankly, I couldn’t give it away.  But in the literary sense of writing romantic fiction.

Unfortunately with my own love life having gone the way of the dinosaurs, hot and heavy meditation was needed to spice up the limp prose.  A romp down memory lane, as it were, to shake up my dormant libido for translation onto the page and into my purse.  And for this I needed some time alone.

A chance would be a fine thing.  These days I can’t even fart in private.  Despite being single, I'm never alone.  Negotiating a Middle East peace agreement would be easier than persuading my five year old daughter to sleep in her own bed.  Worse than her is my teenage son.  Last weekend he arrived home from a late night party and shook me awake to say it was him making all the noise and not a burglar.  I screamed again at 5am when my daughter pulled back my eyelids to announce she’d wet the bed.  Not even the bathroom is safe.  The only time either of them wants to use the toilet is when I’ve locked the door.  School should guarantee me some quality time but with children, as with life, nothing is ever easy.

Take this morning for example.  The plan was simple — tackle chores, get children to school, do some writing.  By 7.30, I had wrestled an epic pile of laundry into the washing machine and loaded the dishwasher.  Right on schedule I hopped into the shower. Two minutes later my daughter joined me in the bathroom.

With herself perched on the toilet warbling a running commentary on poo-poo’s progress, I showered and scrubbed.  Then, just as she squealed “It's hoooge!” and proceeded to flush acres of loo-roll down the pan, the washing machine spun, the dishwasher rinsed, and I was scalded into leaping out of the shower to land at her feet scaring her into a whirl of tears and snot.

Ten minutes later we were calm enough to risk flushing the backed-up toilet.  In slow, Technicolor motion it inhaled its contents, gurgled gently before exhaling a rising tide, the celebrated poo-poo twirling to the fore.  The only consolation in the whole sorry affair was the threatened flood receded within a whisper of reaching the lid.

Meanwhile, my son carried on snoring, oblivious to the drama and forgotten by me.  It was only when I was hustling my daughter in through the school gates that I remembered him. I ran home to find him slumped in the hall looking more like a lifer than ever — shirt-tail hanging out, knuckles bouncing off the floor, jacket yanked on skew-whiff as if dragged through a hedgerow backwards.

“Why didn’t you wake me?” he grunted.  “It’s your fault if I get detention for being late.”  And with a slam-bang of the front door he was gone.

Peace at last.  I counted to 20, poured a coffee and sat down at my desk to write a sizzling sex scene by first focusing on previous relationships.  But no sooner was I back inside the tangled sheets of one lost lover than I was wondering what the hell I ever saw in him.  Fast forward five years and a different lover’s hands were slithering up my legs.  Our eyes met, sparks flew, and the argument we never got round to finishing kicked-off again.  Hah!  At least this time I got the last word in.  Oh, but it wasn’t always thus.  In my twenties I was enamoured with a mechanic.  The no-holds-barred-up-against-the-bumpers-type enamoured.  Then I remembered the money he still owed me.

As an exercise designed to get the creative juices flowing, this clearly wasn’t working. Instead of feeling frisky, I felt like a Nurofen.  A change of tack was needed.  Or, as Victor Hugo once said, I needed to exercise my imagination with an erection.

I went into the bedroom and stripped off back to the time when I was not a mother and getting ready to go anywhere meant dressing up.  With utmost care, I pulled on stockings and attached them to a garter belt.  Next, I wiggled into frilly knickers and a camisole.  I looked in the mirror.  Something was missing.  I tied my hair back into a loose chignon, applied red lip-gloss, overloaded my eyes with mascara and climbed into a pair of high heels.

“Voila!” purred Dita von Teese in the mirror.  “Any minute now a man you’ve never met before is going to come here.  First, he’s going to tease you.  Then he’s going to ravish you.” 

Making a final adjustment to the stockings, I sashayed back to the lounge and threw myself on the sofa to wait for him.

Nothing.  All this effort and nothing.  Honestly, what’s the point of running round like a scalded cat if lover-boy is just going to swan in here whenever he feels like it?  Closing my eyes, I cupped my breasts, relaxing under the feel of silk caressing bare skin.

“Soon you’ll hear the lock turn in the door announcing his arrival,” I whispered, slipping off the heels and curving a leg.  “You’ll stand up to greet him.  He’ll take you in his arms and turn you round in a sexy little dance.  His fingers will feather lightly down your spine.  Reaching your panties, he’ll pull you closer and murmur into your hair, ‘I want you. I need you.’ ”

I buried my face in a cushion. “You’ll tilt your head back, lips quivering at the searing heat radiating from his throbbing manhood promising imminent fusion into a single being.  The Bolero drum-rolling in the background will get louder and louder, reaching crescendo in line with ..."

The sound of the doorbell choked me silent.  The letterbox clattering open propelled me to standing.

“Ma, let me in, I’ve forgotten my keys!”

Jesus wept, I thought sprinting to the bathroom, you’ll be six foot under pushing up the daisies before you get peace in this life.  I doused my hair under the tap in manner of shower interrupted and shrugged on a dressing gown before returning to the front door.  Fortunately teenage tunnel vision blinded my son to anything amiss, including mascara trickling down flushed cheeks.

“I’m dying Ma.  Must have been something you fed me.  Teacher sent me home sick.”

Teacher needs glasses.  The teenage son is the healthiest looking sick person I’ve ever seen.  He stalled a lecture on cutting school by handing over a paper bag and a card.

“Happy birthday,” he said, flopping onto the sofa. “ What’s for dinner? I’m starving.”

I rolled my eyes and read the card — Unless you’re a cheese, age doesn’t matter.  I opened the bag and pulled out a bottle of Mum roll-on deodorant.

“Take a chill pill,” he laughed, deflecting the cushion I chucked at him.  “You’re still young enough to take a joke aren’t you?”

My point exactly.  Still, if you can’t laugh, what can you do? 


25 Oct 2011

Turning Personal Experience into Dollars

I don’t know about you, but I find cash helps in the writing game.  Clearly penning a best-seller is the way to go, but until that happens what else can you do?  One option is to turn personal experience into dollars by writing essays for the biggest and best paying market there is – the US.

Why not?  With the Internet, it’s as easy to write for a US publication as it is for a British or Irish one.  The number and variety of publications available there is vast and many are open to freelance submissions from overseas, especially those dealing in personal essays.

Although relatively short – most essays are circa 1,000 words – they can be an excellent money spinner.  I was paid $250 upon acceptance for an 800-word essay I sold to one magazine which was not published until three months later. Virtually all British and Irish publications pay only at the end of the month in which a piece is included, which may be months after acceptance. 

No, you won’t get rich writing essays but earning a few quid isn’t the only reason.  Many people find the process of reviewing episodes in their life enjoyable and therapeutic.  I know I do.  Moreover, essays offer writers a wonderful chance to see their name in print and bump up portfolios.  This in itself can be a great motivator when tackling more sustained pieces of writing such as scripts, novels, and non-fiction books.

The problem may seem to be how to find out what publications there are, what they require, and how to write ‘US-English’.  This is not a problem.   This is the best news of all.

Writers’ Guidelines
Regardless of circulation size, the vast majority of US publications have a website where you can obtain information about them.  Most also include Writers’ Guidelines which give comprehensive details of requirements for topics, themes, styles, response times, as well as instructions on formatting conventions and how to submit.  Some will also include tips on how to succeed with them, along with an editorial calendar so you can see what it is they are looking for and when.  Others will go even further and list what they do not want.  

US-English
While US-English is broadly the same as that used in Britain and Ireland, there are subtle variations you need to be aware of.  Basically this means leaving out the ‘u’ in some words (color for colour; labor for labour) and using the ‘z’ as an alternative spelling to words such as civilisation (civilization).  Other spelling anomalies are less obvious, such as tire for tyre and check for cheque.  However, if you switch your computer’s language setting to English-US the spell check facility will identify discrepancies and suggest US equivalents. 

As well as spelling differences, there are many words that require translation – pavement to sidewalk; life to elevator; flat to apartment; car to automobile; lorry to truck; rubbish to garbage and so on.  There is an US-English Dictionary available from Cambridge Dictionaries Online, if you want to learn more. 

There are also certain grammatical differences but I wouldn’t worry too much about these.  Due to the overall language similarity, submissions will not be rejected if otherwise suitable – a sub-editor will probably make any necessary changes.

Payment
US editors never hesitate to state how much they pay and when – for some publications this can be two or three times the highest fee paid by a top-notch European publication.  Some will pay by cheque, while others prefer to make payment using facilities such as PayPal.  All will send at least one complimentary copy of the publication in which a piece appeared.

What makes a good personal experience essay?
In personal experience essays, writers use material from their own lives and share it in a way that offers insight to the individual emotional experience and reactions to events.  Or as veteran memoir writer Barbara Abercrombie put it: “We read essays to find a new window to the world, to laugh, to learn something from other people’s trials and attempts in life.”

Anecdotes, funny experiences and ‘lessons learned’ all make excellent topics.  As do confessional stories - where the author confesses to some form of addiction or tells of an agonising choice he or she had to make.  However, when writing for the US, your choice should be something people everywhere can relate to.  Family life, work, dating, divorce, animals, illness, weddings, pregnancy etc., are all universally appealing subjects and easily understood.

Humour
Although the definition of ‘humour’ varies widely, first-person is often the easiest way to write tongue-in-cheek, particularly when poking fun at yourself.  It’s honest and safe for the reader to enjoy and creates a familiarity that frequently connects regardless of location, particularly when writing about the humdrum of everyday life.  

The big names all have a short personal experience humour pieces somewhere and often pay big bucks for ones that chuckle off the page.  For example, The Smithsonian pays up to $1,000 for 500-650 amusing freelance words used in their Last Page column.

Sourcing  Markets
There are a number of ways to find names and contacts details of US publications.  The simplest method is to register with The Writer’s Market (the US equivalent of Writers’ and Artists’ Yearbook), which maintains a comprehensive database available to search online for an annual fee.  Alternatively, organisations such as Writers Weekly and World of Freelance offer free access to more limited lists of paying markets.  

Writing  Samples
Writers’ Guidelines will only tell you so much.  To succeed, you must also study the publication of your choice in order to get a feel for what actually gets published and to ascertain if it suits your own individual writing style and taste. 

Some outlets include links to writing samples, while others publish content on their website, in whole or in part.  Alternatively, many have an automated service for purchasing back copies.  If this isn’t the case then email the publication directly and ask for some back numbers of recent issues and details of cost. 

Another, less costly, way is to identity who has written for the publication and Google the author’s name.  Most writers post samples of published work on their own websites or blogs and you can study them there.  By the way, this latter method is a great way to track down potential markets for your own writing.

Paying  Markets
To help get you started, below are some paying markets which welcome freelance submissions.  With the exception of Underwired, all publish writing samples online.

Christian Science Monitor is an excellent starting place for new writers.  Its Home Forum section welcomes amusing and touching personal essays (400-800 words).  Guidelines: http://www.csmonitor.com/aboutus/guidelines.html#homeforum 

Skirt accepts 5-6 personal essays every month on topics relating to women and women’s interests.  However, ‘women and women’s interests’ should not limit your choice of topic. 

Underwired is another women’s magazine and welcomes personal essays (800-1200 words) for themed monthly publications listed on the website.

The Sun publishes personal essays, interviews and poetry.  There is no minimum word count.  Submissions accepted by post only.

Chicken Soup for the Soul– you’ve seen the books!  Each has a distinct theme which is then broken down into sections.
Guidelines:
http://www.chickensoup.com/cs.asp?cid=guidelines

Brain, Child  is a quarterly publication which describes itself as a ‘literary magazine for thinking mothers’. 

Writers’ Guidelines.  Do exactly what it says on the tin.  Obtain them.  Study them. Follow them.  It’s a message that can’t be over-emphasised and doing so gives you a cutting edge over the competition.  There is nothing an editor hates more than receiving a 2,500-word tear-jerker submitted in the body of an email when the Guidelines clearly state a need for positive, upbeat 1,000-word maximum essays, sent via the online submission form.  It happens.  Don’t let it happen to you.

Titles.  Never underestimate the importance of an engaging title.  It’s the first thing an editor reads and must tickle interest if he or she is to read further.

Revision is essential.  Before submitting anything check the topic is strong enough, you’ve written the essay tightly, and that your treatment is lively.  Delete unnecessary words.  Replace vague words with visually stimulating ones.   Ask yourself: can the piece be improved in any way?  To speed up the process, read your work aloud and rewrite anything that sounds clunky or awkward.  Revise.  Revise.  Revise.  Again and again until you are satisfied.

Persevere.  There’s no magic Harry Potter potion that will make every editor love your work.  There are so many unknown factors beyond your control involved in getting work accepted that all you can do is keep on trying.  Study the guidelines, practise your craft, and I promise the rejections will get fewer, the acceptances more.

Want to know more? 
To learn more about writing memoir and personal experience essays, below is a selection of titles taken from my bookshelf:



First published on Writing.ie 2011

19 Oct 2011

What’s the point in wasting paper?

Ernest Hemingway once said his best work was a story he wrote in six words:  ‘For sale: baby shoes, never worn.’  

I wonder  ...  how many pages do you think Hemingway went through before settling on these six gems?  I'm guessing a dozen.  Or maybe not.  Perhaps he strung them together straight off the cuff.  Somehow I doubt it though.

What I am certain of is that screenwriter and essayist Norah Ephron says:  “In the course of writing a short essay – 1500 words, that’s only six double-spaced pages – I often used 300 to 400 pieces of typing paper … .”   (New Woman, 1991)

Perhaps more telling is what Barbara Kingsolver reveals in The Basics of Writing Bestsellers:  “I always have to write at least a hundred pages that go into the trash can before it finally beings to work … I try to consider them pages 100 to 0 … .”   Similarly, Philip Roth discarded more than 180 pages before fixing on the opening paragraph of his memoir Patrimony.

The other thing I’m certain of is that insecurities are common to all writers.  As this writer confided in his journal:  “My work is no good, I think – I’m desperately upset about it. Have no discipline anymore …”

Surprise. Surprise. Those were the words of John Steinbeck when writing Pulitzer Prize-winning novel The Grapes of Wrath.

There are times when reciting all of the above helps at the end of a miserable day but this isn’t one of them. Today I feel like punching the lights out of Woody Allen currently whining “80% of success is showing up” on a loop inside my mushy brain.  Well, I did show up and nothing happened bar the printing out of page after page of convoluted gibberish that no longer exists on my computer.  

Which is good in a way because instead of grieving my virtual nothing, as David Sedaris points out in his essay nutcracker.com, I can look at my loaded wastepaper basket and tell myself that if I failed, at least I took a few trees down with me.


First published on Writing.ie 2011